Of course, in modern Armenian literature, it is impossible to overlook the traumas experienced by writers and poets, their sense of displacement, or the traces of their personal histories within their works. And yet, the fact that classical and modern Western Armenian works are still examined primarily through the lens of author biographies, whether in Istanbul or elsewhere, prevents the literature itself from receiving the recognition it deserves. In this way, a deep-rooted and rich literary tradition is reduced, in the Western gaze, to a mere struggle for visibility. What’s more troubling is that this perspective is not only held in the West but is also increasingly internalized within today’s Istanbul Armenian community.
In his debut novel Unufak, Rober Koptaş attempts to touch upon the suffering and devastating societal events experienced by the Armenian community of the 20th century through a story crafted across three generations.
The sea and fishermen form a common theme in Ara Güler's photographs of Istanbul. The exhibition of a selection of photographs taken in the old fishermen's neighborhood of Kumkapı under the title 'Kumkapı Fishermen' was inspired by Ara Güler's series of articles titled 'Kumkapı with Armenian Fishermen' published in Jamanak newspaper in 1952, taken when he was still a young photojournalist. Among his famous signature photographs of fishermen and net menders captured sometimes in groups or single, there are also women who immediately catch our eye, the most striking one being Merametci Saten Hanım.